On the request of Lee Weng Choy to all of us to have shorter blog entries, I've cut an earlier entry in two.
My first intuitive response to the discussion about artistic positions in a global art world, issues like geography, territory and mobility, (i.e. the definition of 'territorial, extra-territorial and world artists') is to throw in some practice and maybe discuss some recent exhibition models (7th Gwangju Biennial by Okwui Enwezor, Shanghai Biennial 2008 by Zhang Qing, Julian Heyn and Henk Slager), that respond to this issues.