Stephen Wright is a Paris-based art theorist, research fellow at the Institut National d’Histoire de l’Art, and Editorial Director of the Biennale de Paris. In 2004, he curated The Future of the Reciprocal Readymade (Apexart, New York), in 2005 In Absentia (Passerelle, Brest), in 2006 Rumour as Media (Aksanat, Istanbul) and Dataesthetics (WHW, Zagreb), and is currently preparing, amongst other projects, Withdrawal: The Performative Document (New York & Tunis) as part of a series of exhibitions examining art practices with low coefficients of artistic visibility, which raise the prospect of art without artworks, authorship or spectatorship. He has also written extensively on the theoretical dimensions of such practices, and, following a writing residency at Artexte (Montréal, 2006) a book-length essay on the subject is forthcoming. Wright’s writing has also focused on the use-value of art, particularly in contexts of collaborative practices outside the performative framework of the artworld. A former programme director at the Collège international de philosophie (2000-2007), and corresponding editor of Parachute magazine (1999-2005), he is currently on the editorial advisory committee of the journal Third Text.
Born in 1963 in Vancouver, Canada, he lives and works in Paris.